Just playing some old songs

Off Topic Music
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So you say AA AK AQ 99 & 72 just not working? :grin:

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Ok folks I remember singing a lot of these when I was in school with Fred Flinrtstones BE HONEST how many do you remember singing away too every one from the 50’s
Most Iconic Tunes
The 1950s was a decade of change as rock and roll exploded and rhythm and blues found its way into mainstream culture. So, what songs capture the era’s energy, romance, revolution, and raw musical innovation?“Johnny B Goode” – Chuck Berry (1958)
If rock and roll had a theme song, “Johnny B Goode” might be it. Chuck Berry’s electrifying guitar riffs and storytelling lyrics introduced a new kind of swagger to American music. Inspired by his own life, the song follows a poor boy who dreams of fame.
“Sh-Boom” – The Chords (1954)
“Sh-Boom” is often credited as one of the first rock and roll hits, blending doo-wop with an irresistible, upbeat energy. Originally recorded by The Chords, the song was later covered by The Crew Cuts, whose version was more polished but lacked the raw soul of the original.
“Blue Suede Shoes” – Carl Perkins (1956)
With “One for the money, two for the show…” Carl Perkins cemented his place in rock history. Written after he overheard a soldier warning his date not to step on his shoes, “Blue Suede Shoes” became a crossover smash. While Elvis later popularized it, Perkins’ version remains the definitive take. “Hound Dog” – Elvis Presley (1956)
Elvis Presley’s “Hound Dog” wasn’t the first version—that honor goes to Big Mama Thornton in 1952. But when Presley’s hip-shaking, raw-energy rendition hit the airwaves, it became an instant sensation. His performance on The Milton Berle Show scandalized parents and thrilled teenagers, proving rock and roll was here to stay. “El Paso” – Marty Robbins (1959)
A sweeping story-song that blends country with a cinematic narrative, “El Paso” tells the tale of a cowboy’s doomed romance and fatal duel. Marty Robbins’ rich, balladeer-style vocals and the song’s Spanish-inspired guitar work made it an instant classic, and the song won the first-ever Grammy for Best Country & Western Recording.
“Que Sera, Sera (Whatever Will Be, Will Be)” – Doris Day (1956)
A few songs capture the optimism of the 1950s, such as Doris Day’s "Que Sera, Sera”. Introduced in Alfred Hitchcock’s film The Man Who Knew Too Much, the song’s simple yet profound message about embracing the unknown struck a chord with listeners and won an Academy Award for Best Original Song.
“Come Fly With Me” – Frank Sinatra (1958)
Frank Sinatra’s “Come Fly with Me” is a smooth, sophisticated anthem to adventure. Written specifically for him, the song set the tone for the jet-setting culture that would define the coming decade. With its bright, brassy arrangement and Sinatra’s effortless charm, it remains one of his most iconic recordings.
“Diana” – Paul Anka (1957)
Written when he was just 15, “Diana” became Paul Anka’s first major hit, inspired by his crush on an older girl from his church. The song’s youthful energy and catchy melody made it an international success, launching Anka’s career as one of the decade’s biggest teen idols. “That’s Amore” – Dean Martin (1953)
Romantic and playful, “That’s Amore” became Dean Martin’s signature song. Its exaggerated Italian imagery and waltzing rhythm made it a staple of pop culture, often used to evoke a sense of nostalgia for 1950s romance. The song’s enduring appeal has kept it alive in films and countless Italian restaurants worldwide. “I Got A Woman” – Ray Charles (1954)
Ray Charles blurred the lines between gospel and R&B with “I Got a Woman,” a song that laid the groundwork for modern soul music. The track’s call-and-response vocals and bluesy “Rock Around The Clock” – Bill Haley & His Comets (1954)
Before Elvis, there was Bill Haley. “Rock Around the Clock” wasn’t just a song—it was a cultural shift. When it appeared in Blackboard Jungle, it became the anthem of teenage rebellion by fueling dance crazes and setting the foundation for rock’s dominance in the decades to come.instrumentation highlighted Charles’ innovative approach. Kanye West sampled it in his 2005 hit “Gold Digger,” which just proves its lasting impact. “Tutti Frutti” – Little Richard (1955)
With a voice that could shake the rafters and a piano style that defied the rules, Little Richard unleashed “Tutti Frutti” in 1955. The song’s frantic energy and nonsensical lyrics made it an instant hit. Originally, the lyrics were too bold for radio, forcing a last-minute rewrite before its release.
“Jailhouse Rock” – Elvis Presley (1957)
Elvis struck gold again with “Jailhouse Rock,” a song written for the film of the same name. With its infectious groove and rebellious lyrics, the track immortalized the wild spirit of 1950s rock. The prison dance scene from the movie remains one of the most recognizable moments in music history.
“Great Balls Of Fire” – Jerry Lee Lewis (1957)
Jerry Lee Lewis didn’t just play the piano. “Great Balls of Fire” was an unfiltered blast of energy, with Lewis pounding the keys and howling his way through the song. It became one of rock and roll’s most enduring anthems. “Peggy Sue” – Buddy Holly (1957)
“Peggy Sue” is one of Buddy Holly’s best songs. Originally titled “Cindy Lou,” after his niece, Holly changed the name at the suggestion of his drummer, Jerry Allison, whose girlfriend (later wife) was named Peggy Sue. Holly had a knack for crafting melodies that felt personal and universal, and the song’s rolling drumbeat and hiccupping vocals made it a major hit.
“Bye Bye Love” – The Everly Brothers (1957)
The Everly Brothers’ breakthrough hit, “Bye Bye Love,” took heartbreak and made it danceable. With its upbeat rhythm and crisp harmonies, the song was an instant sensation. Originally rejected by 30 artists before landing in the Everlys’ hands, it became a defining track of the late 1950s.
“Summertime Blues” – Eddie Cochran (1958)
This song captures teenage frustration in a way others couldn’t. Eddie Cochran’s bluesy guitar, combined with a call-and-response vocal gimmick, made it a rockabilly classic. “Summertime Blues” was later covered by bands like The Who and Blue Cheer, proving its staying power across generations.
“Since I Don’t Have You” – The Skyliners (1959)
©The Skyliners 1959 - Since I Don’t Have You (Dick Clark’s Beech-Nut Show)
A defining doo-wop ballad, “Since I Don’t Have You” was one of the first songs to incorporate full orchestration into the genre, giving it a lush, cinematic quality. Lead singer Jimmy Beaumont’s impassioned vocals captured the pain of lost love with a sincerity that resonated across generations. “La Bamba” – Ritchie Valens (1958)
Thanks to its vibrant energy, “La Bamba” broke barriers as one of the first rock hits sung in Spanish. Ritchie Valens transformed a traditional Mexican folk song into a rock and roll masterpiece to celebrate his Chicano heritage at a time when Latino artists rarely made waves in the genre.
“Be-Bop-A-Lula” – Gene Vincent (1956)
Gene Vincent’s sultry, slurred vocals and rockabilly swagger made “Be-Bop-A-Lula” an instant classic. The song’s blues-infused rhythm and Vincent’s signature growl earned him comparisons to Elvis Presley. Though he never achieved the same level of fame, his influence on rockabilly is undeniable.
“Wake Up Little Susie” – The Everly Brothers (1957)
Despite being banned on radios for its supposedly scandalous content, “Wake Up Little Susie” set The Everly Brothers apart with its close harmonies. The song tells the innocent yet humorous story of a couple who accidentally stays out too late and panics about the gossip it might cause “Only You (And You Alone)” – The Platters (1955)
Smooth and deeply romantic, “Only You” helped define The Platters’ sophisticated sound. Lead singer Tony Williams’ velvety vocals carried the song to the top of the charts and made it one of the most beloved love songs of the decade. It remains a staple at weddings and slow dances..“In The Still Of The Night” – The Five Satins (1956)
Recorded in a church basement, “In the Still of the Night” was written by Fred Parris while on guard duty in the Army. He crafted a hypnotic melody that captured the magic of young love. Its signature backing vocals became a defining characteristic of the doo-wop genre.
“There Goes My Baby” – The Drifters (1959)
Featuring emotional delivery, “There Goes My Baby” broke new ground in R&B. It was one of the first songs to incorporate a full-string section into a rock and roll production. The Drifters’ lineup changed frequently, but their influence remained constant.

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Happy Memorial Day Weekend

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^ after 18 minutes of play, I’d like to go up to this guy and say, “Ok, that was warmup!”

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I’d like to think I may have started this trend years ago.

Sunglasses At Night - Corey Hart Lyrics

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[80s Rock Anthems Megamix: Harris Mashup)

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[80s Rock Anthems Megamix Part Two: Harris Mashup)

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