A Collection of Photos of Famous Duos

In 1922, Sir Henry Wood explained the enduring success of the collaboration as follows:

Sullivan has never had an equal for brightness and drollery, for humour without coarseness and without vulgarity, and for charm and grace. His orchestration is delightful: he wrote with full understanding of every orchestral voice. Above all, his music is perfectly appropriate to the words of which it is the setting… He found the right, the only cadences to fit Gilbert’s happy and original rhythms, and to match Gilbert’s fun or to throw Gilbert’s frequent irony, pointed although not savage, into relief. Sullivan’s music is much more than the accompaniment of Gilbert’s libretti, just as Gilbert’s libretti are far more than words to Sullivan’s music. We have two masters who are playing a concerto. Neither is subordinate to the other; each gives what is original, but the two, while neither predominates, are in perfect correspondence. This rare harmony of words and music is what makes these operas entirely unique. They are the work not of a musician and his librettist nor of a poet and one who sets his words to music, but of two geniuses.[104

1 Like

Trainer Charlie Goldman and Rocky Marciano

1 Like

Thanks for adding to the collection.

Much appreciated!

Rembrandt Harmenszoon van Rijn

(15 July 1606[1] – 4 October 1669), usually simply known as Rembrandt , was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media,[3] he is generally considered one of the greatest visual artists in the history of art.[4] It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.

Jan Lievens

Jan Lievens (24 October 1607 – 4 June 1674) was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter Lastman in Amsterdam, where they shared a studio for about five years until 1631. Like Rembrandt he painted both portraits and history paintings, but unlike him Lievens’ career took him away from Amsterdam to London, Antwerp, The Hague and Berlin.

1 Like

Danny DeVito and Rhea Perlman…Not only a great duo but husband and wife.

2 Likes

carla-sam

carla & sam : loved cheers

2 Likes

lenny and squiggy
lenny and squiggy

1 Like

President John F. Kennedy and his wife Jacqueline Kennedy Onassis

American Royalty

Franz Joseph Haydn and Ludwig Van Beethoven


The young Beethoven - just over a week past his 20th birthday - first met the renowned Joseph Haydn on 26 December 1790 in Bonn, when Haydn and the impresario Johann Peter Salomon stopped off on their way to London where Haydn was to perform.

Beethoven met Haydn again on Haydn’s return journey in July 1792. Beethoven showed him his scores for the Cantatas on the Death of Emperor Joseph II (WoO 87) and the Elevation of Emperor Leopold II (WoO O88).

Haydn was sufficiently impressed to tell Beethoven that if he could arrange to come to Vienna, he would gladly take him on as a pupil.

Beethoven began lessons with Haydn soon after his arrival in Vienna in November 1792 - but quickly became dissatisfied. Haydn was enormously busy with his own compositions and commissions; in January 1794 he left for a second trip to London, returning more than a year and a half later with a commission for a set of symphonies (to become the London symphonies).

Beethoven took lessons with other teachers - often in secret so as not to offend Haydn!

In August 1795, Beethoven performed his newly composed three Piano Trios opus 1 in the salon of Prince Lichnowsky, with Haydn - who had just returned from London - as guest of honour.

Haydn - 63 years of age - was tired. The trip to London had been exhausting, and he had a gruelling commission to fulfil. The three Trios, in performance, comprise more than an hour and a half of music. By the end of the third and final Trio, Haydn was seriously tired.

Beethoven hurried over to his teacher and asked him what he thought. Haydn had the temerity to suggest that the third Trio needed more work on it before it was published.

Beethoven was horrified - and he never forgot Haydn’s criticism. (Ironically musicologists today rate the Third as the best of the three!) There was no falling-out between the two, but Beethoven was always quick to criticise his old teacher. He once said, “I never learned anything from Haydn.”

Proof that relations were not too strained by the Piano Trio incident came when Beethoven dedicated his next opus - the set of three Piano Sonatas, opus 2 - to Haydn.

But Beethoven never acceded to the one request Haydn made of him, which - Haydn knew - would forever tie him to his brilliant and precocious pupil: to put at the top of a single composition … by Ludwig van Beethoven, pupil of Haydn.

Laverne And Shirley. One of the iconic comedy Duo’s in American Culture

1 Like

Michael Flanders and Donald Swann

Regis Philbin and Kathie Lee Gifford

The Fonz and Ritchie

1 Like

Farrah Fawcett and Lee Majors

Evelyn Frechette and John Dillinger

Frechette is known to have been involved with Dillinger for about six months, until her arrest and imprisonment in 1934. She finished two years in prison in 1936, then toured the United States with Dillinger’s family for five years with their “Crime Doesn’t Pay” show.

John Herbert Dillinger was an American gangster during the Great Depression. He commanded the Dillinger Gang, which was accused of robbing 24 banks and four police stations. Dillinger was imprisoned several times and escaped twice.

fat freddy
Fat Freddy and his cat

2 Likes

IMG_2042

What a comedy duo!

Troy and Abed in the morning! These two were the power couple of Greendale Community College. Since then, we’ve seen both of them rock Greendale to its core by building blanket/pillow forts, hosting a fake talk show, or battling Blorgons.

Luciano Pavarotti and Andrea Bocelli


Luciano Pavarotti, Andrea Bocelli - Notte 'e piscatore (Live) - YouTube

1 Like

American Gothic - 1930 Painted by Grant Wood


American Gothic is a painting created by Grant Wood. It’s currently in the collection of the Art Institute of Chicago. Wood painted American Gothic in 1930, depicting a farmer standing beside a woman who has been interpreted to be either his wife or daughter. Take a look below for 26 more fascinating and fun facts about the American Gothic painting.

1. The figures in American Gothic were modeled after Wood’s sister, Nan Wood Graham, and their dentist Dr. Byron McKeeby.

2. The woman in the painting is dressed in a colonial print apron evoking 19th century Americana and the main is holding a pitchfork.

3. It’s one of the most popular 20th century American paintings and it has been widely parodied in American popular culture.

4. The painting was displayed at the Musee de l’Orangerie in its first showing outside the United States on October 15, 2016 to January 30, 2017. It was displayed in London at the Royal Academy of Arts from February 25 to June 4, 2017.

5. American Gothic was first submitted to the 1930 annual exhibition at the Art Institute of Chicago, where it won a bronze medal and $300 prize. The Art Institute of Chicago acquired the painting soon after for its collection.

6. Some time after, a picture of the prize winning painting was shown in the Chicago Evening Post, where it gained mass fame and popularity.

7. Before the painting, Wood was an unknown 39 year old aspiring artist, living in the attic of a funeral home carriage house that he shared with his mother and sister.

8. After the success of American Gothic, he became somewhat of a media scamp. He was known for rewriting the history and meaning of his painting to best suit whatever the current trend or narrative was popular. However, his fans because ravenous, often going to his family home and stalking him.

9. The inspiration for the painting came to Wood when he was visiting Eldon, Iowa. There, he saw a little white cottage with a carpenter Gothic window on the second floor that Wood found pretentious. He sketched the house quickly on an envelope, and later used it as the base for what would become American Gothic.

10. The painting combined Americana with European technique.

11. None of the models for the painting posed together. He painted the house, his sister and his dentist all in separate sessions.

image

Nan Wood Graham (the artist’s sister) and Dr. Byron McKeeby (the Woods’ family dentist)

12. People in Iowa weren’t happy with the painting. Wood’s portrayal wasn’t how the locals saw themselves, and they resented being presented that way to the world.

13. The meaning behind the painting has shifted with every passing year.

14. Early on, writers like Gertrude Stein and Christopher Morley thought that American Gothic satirized the provincialism of small town America.

15. During the Great Depression, American Gothic was seen as much needed celebration of the nation’s fortitude and spirit.

16. Wood gave a statement for the meaning behind the painting as well. He said, “there is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully – to make them more like themselves than they were in actual life.”

17. Wood’s signature is very well hidden in the painting. To find it, you have to look in the bottom right corner of the farmer’s overalls and you’ll see his name painted along with the canvas medium and the year in a pale blue color.

18. American Gothic, among other paintings at the time, fueled the rise of Regionalism. Regionalism was an American realist modern art movement that shunned urbanism in favor of the glories found in rural settings.

19. The house portrayed in American Goth is now a tourist attraction. It was built in 1881 by Catherine and Charles Dibble and it was passed through owners for more than a century. It was donated by Carl Smith to the State Historical Society of Iowa in 1991.

20. The house is currently a museum celebrating Wood and the painting that made him and the house famous.

21. While Wood found the windows of the house pretentious, they were hinged so the family could easily move large furniture in and out.

22. Over the years, every single element in the painting has been mined for meaning. For example, some observers have suggested that the man pictured is not a farmer but a preacher using the pitchfork as a prop to rail against the devil and his dangers.

23. The Depression era understanding of the painting as a depiction of an authentically American scene prompted the first well known parody, a 1942 photo by Gordon Parks of cleaning woman Ella Watson, show in Washington, D.C.

24. American Gothic has been lampooned in Broadway shows such as The Music Man, movies such as The Rocky Horror Picture Show, television shows such as Green Acres and The Dick Van Dyke Show.

25. The number 3 makes a couple of appearances in the painting. For example, the farmer’s pitchfork has 3 prongs, and the 3 lines also show up on the farmer’s overalls, his face and the window of the farmhouse.

26. At one point, Wood defending himself from angry Iowans by saying that he liked hard working Americans and that’s why he did the painting.

3 Likes

Kelly Ripa and Mark Consuelos. Americas most famous morning Duo. Beside the fact that they’re married!